As technological advancements redefine both business and society at large, Professional Jeweller explores the ways in which technology is shaping and aiding jewellery manufacturing.
Whether you’re a tech guru, eagerly embracing the latest innovations, or you wistfully lament the good old days pre-digital mania, one undeniable fact is that technology today is unavoidable. In the jewellery industry, the digital divide may be wider than some. Whilst the skill and craftmanship of handmade jewellery will always have a firm place in the industry, the changes technology has had on jewellery production in the last 20 years is irrefutable evidence of its revolutionary effect on manufacturing processes.
Enjoying a prime position to witness these advancements in manufacturing is Graham Dicks, managing director of GVUK Design Limited. Sitting on the front line of technology for the industry, he will this month host the third annual Technology for Jewellery day, set to take place on 14 June in London. Advancement in technologies like CAD have adapted the landscape of production, which in turn has followed through to jewellery sales. “CAD has brought the process from design concept to shop window forward by months,” explains Dicks. “Lower manufacturing costs, along with greater accuracy in weights and stone layout, once gave you a competitive advantage; now you are disadvantaged without it. Start-ups now have a chance in business to be designing ahead of manufacturing. If you can sell before you make, it can only help everyone.”
Early on the technology train was casting house and bespoke jewellery manufacturing company, Weston Beamor, which has been incorporating new manufacturing machinery for nearly two decades. As head of CAD at Weston Beamor, Ed Hole is an advocate for advancement. “Weston Beamor has long been at the forefront of introducing new jewellery making technologies and has been using CAD and 3D printing techniques alongside traditional jewellery making skills for at least 14 years. It was the first UK jewellery company to invest in a 3D printing machine (then known as rapid prototyping) and is continuing to invest in further printing technology as it develops.
“The investment has made production processes not only much quicker but also more precise and repeatable. It has also allowed us to create much more intricate and complex designs which would have been difficult and time-consuming to create by hand, but can now be made quickly and efficiently. “
CAD in particular, can also prove a useful tool in customer service and satisfaction. “The new processes take the guess work out of the creation of bespoke designs. Customers can view photo-realistic images or ‘renders’ of the piece to be created, which can be viewed from various different angles for approval prior to actual manufacture. If necessary a 3D printed model of the piece can also be sent for the consumer to view before the design is made in precious metal. That way, any modifications can be made at the CAD design stage.”
Weston Beamor owns a variety of sophisticated machinery, including; four 3D printers, which utilise a number of different resins, a 3D scanner and state-of-the-art casting equipment. “The 3D scanner allows our bespoke team to create very accurate, fitted wedding bands by digitising the customer engagement ring. The ring can be quickly returned to the owner as the wedding band is manufactured. This technology also allows other small objects to be scanned and then scaled or mirrored and then 3D printed for casting. Objects such as pine cones, sea urchins, bones and hand carved waxes are often sent in to be scanned,” says Hole.
Another company marrying technology and tradition, is jewellery manufacturer Charles Green, which has been in business since 1824. Company director Oliver Sutton explains: “We have invested quite heavily in new technologies over the last four to five years in order to improve and shorten the manufacturing process of all our jewellery, be it a classic plain wedding band, a designer two-colour ring, or a heavily diamond set bespoke piece of jewellery.
“ I try to get over to Vicenza every January to explore and discover what is new, and what can give us either a design and quality edge on our competition, or allow us to achieve greater output with the aid of modern technology.”
The company have invested in a wide selection of products, including a Five Axis CNC Milling machine, a laser engraving machine, a range of surface finishing machines, the latest CAD software, wax milling machines, a 3D scanner, a 3D printer, and items for its stone setting department.
“For any company truly committed to manufacturing here in the UK, then continuous investment in new tools and technology is quite simply a must,” says Sutton. “Technology has revolutionised the design and manufacturing process in every aspect. It has not only changed the ways in which we produce our own designs, but it has allowed us to offer a range of new services to our customers that we wouldn’t have otherwise been able to.”
At the core of the company, however, are its historical roots, which includes a long tradition of expert craftsmanship. “It has been a bit of an overused term for many years now, but we really do blend modern technology and traditional craftsmanship to create our jewellery. I’m sure it is true of other successful British jewellery manufacturers, too. You can’t beat the expertise and experience that a great craftsman can offer, and we have a very collaborative culture at Charles Green. When discussing a new range of designs for general production or a one-off special, our CAD team will discuss the designs with our mounters and setters to find the best way forward,” explains Sutton.
“Change is a constant in business as it is in life. Sometimes a new machine, set of tools, or pioneering technique may first be met with suspicion, but once all fears have been laid to rest we have generally found that our workforce have embraced the new machinery.”
Read the full feature in the June issue of Professional Jeweller, available now.